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Buy Reason, Get Four Rack Extensions Free!

Now’s the time to purchase Propellerhead Reason! Between February 16, 2015, and March 16, 2015, when you purchase the full version of Reason, you’ll receive four Rack Extension plug-ins, completely free of charge, nearly $300 in value! Here’s wha

Posted on:03-07 View:22
Waves Releases dbx 160 Compressor/Limiter

You’ve heard it (at least) a thousand times — it’s one of the most popular compressor/limiters ever, especially for drums. Which comp/lim are we referring to? Why, the dbx 160, of course! Now you can have this legendary vintage compressor/limiter available right in the com

Posted on:03-07 View:18
Bitwig Announces Bitwig Studio 1.2

Bitwig showed off Bitwig Studio 1.2 at the Winter NAMM show. This update introduces a number of very powerful new features: Group Tracks: Consolidate the signal flow of multiple sources through a single Group Track. This feature introduces a new style of editing call

Posted on:03-07 View:28
Mesa/Boogie CabClone: Try It With a Speaker

The Mesa/Boogie CabClone is an amazingly useful tool. It lets you send a dry or cabinet-emulated signal directly to a mixer, a PA system, or your audio interface. It has a headphone output for silent practicing or recording. And it contains a “thru” jack to l

Posted on:03-07 View:18
How To Use the Eleven Rack Output to Amp for Recording

Recording with Eleven Rack offers lots of output options. Typically, it’s the interface to the computer so all of the information travels via the USB connection. When using Eleven Rack as a sound source only — crafting your guitar tone and recording through another interfa

Posted on:03-07 View:31
For Guitar Players: Playing Bass like a Bass Player

How many songs have you heard in which the bass sounds either like it’s being played by a frustrated guitarist who wants to rip out and solo, or that the bass is playing the same line as the guitar an octave lower? Bass is an essential and expressive instrument all its own

Posted on:03-07 View:19
Mastering Tip- The Loudness Wars Are Over

Starting in the ’90s, artists and bands wanted their release to be the loudest release in a listener’s multi-CD changer, so that it would stand out. Thus, the “loudness wars” began, in which every album fought to be louder than everyone else’s. This was accom

Posted on:03-07 View:34
Double-click to Create New Tracks in Pro Tools 11

In Pro Tools 11, you can double-click with the mouse in empty space below existing tracks in the Edit window or next to or below existing tracks in the Mix window. The following give you options for the type(s) of tracks created: Double-click — Creates new track of t

Posted on:03-07 View:23
Effect Tip: Use a High-Pass Filter before Reverb

Nearly every mix uses reverb in some way. It can create artificial spaces, make thin tracks sound fuller, and create depth and dimension. However, it can also turn your tracks or entire mix to mush if you’re not careful. But what if you’re being careful with the reverb lev

Posted on:03-07 View:17
Pro Tools Tip: Use Key Commands to Select Track Views

The Pro Tools Edit window is laid out to allow you to access nearly everything you’ll need graphically, but power users know that to really fly around the interface, you’ll want to memorize key commands. One example is selecting track views. For each track you can switch a

Posted on:03-07 View:19

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