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  • Monophony, Paraphony, Polyphony – What’s the Difference?

    “Monophony,” “paraphony,” and “polyphony” – sounds like three characters from Greek mythology. But they actually are terms used to describe the total number of notes a synthesizer can play at once. Due to a recent analog synthesizer renaissance, questions about the

    Posted on:12-25 View:90
  • Dont’t Touoch That Dial

    It’s not unusual for a personal studio to have a couple hundred knobs, buttons, switches, and controls. Your mixer likely has dozens of controls. The mic processor has a bunch. Any program compressors or equalizers you may use will add their share.

    Posted on:12-25 View:22
  • What Makes the Ludwig Black Beauty So Great?

    In the studio, certain gear communicates discriminating taste. A Neve 80-series recording console. A Neumann tube U47. A ’57 Goldtop Les Paul. And to those in the know, a Ludwig Black Beauty brass snare drum is right up there on that list. From

    Posted on:12-25 View:54
  • Keep It Up…Your Level That Is

    Your program needs to be loud enough to be easily heard by your listeners. If they can’t hear you, they will go somewhere else. Most radio station board operators are somewhat spoiled. Because the station likely has several pieces of equipment that specifically ke

    Posted on:12-25 View:69
  • Headphones and Headsets

    Think of the tiny ear buds stuffed into your head, with the other end of the cable plugged into your mp3 player. Many people call this a “headset.” And they will use the same term for ear buds with a microphone embedded in the cord (for phone calls). And the over-the-head units that cover your

    Posted on:12-25 View:50
  • How to Get Vintage-sounding Multi-head Delay Magic

    The first devices used to generate delay or echo effects were reel-to-reel tape machines that recorded and played back sound using separate recording and playback heads. Dedicated echo devices, such as the Echoplex, soon followed. The distance b

    Posted on:12-25 View:30
  • Interviewing The Expert

    When a guest comes to your studio to be interviewed, you have full control of the sound quality: He will be in your acoustically-treated room, speaking into a microphone of comparable quality as your host. He will be listening through headphones fed from your mixing console. Only the callers on

    Posted on:12-25 View:18
  • Low-Cost PA-Recording Mixers for Broadcasting?

    The low-cost mixers used for recording music have so many knobs and buttons, most any of them should work for radio, right? Well… no. It’s not just the number of controls that matter. It’s more about the suitability of those controls. For example:

    Posted on:12-25 View:24
  • Great Gift Ideas for Drummers

    We carry a massive selection of the best drums, cymbals, hardware, and accessories on the market. But also because we’re committed to creating memories that will last well beyond the gear. Not a drum

    Posted on:12-25 View:62
  • Console Considerations for LPFM or Webcasting

    As you consider building your new LPFM or internet station, take some time to think about the people that will be operating it every day. A radio station has a lot of things going on… – You may have a live guest and a telephone caller as part of your program. – You may have a c

    Posted on:12-25 View:20
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