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  • How to Master Your Music

    “Why don’t my recordings sound like the songs I hear on the radio?” We hear that question a lot. The answer is simple: because commercial tracks have been mastered. Mastering is the final process that your music undergoes before it’s distributed. It takes a good song, wit

    Posted on:12-26 View:32
  • Reel-to-Reel Reminiscing

    Pictured is the infamous Otari MX5050BII reel-to-reel tape recorder. This machine, in its many variations, has been a solid part of the broadcast industry since the 1970’s. As far as I can tell, it’s the last tape machine to go. We sold a bagillion open reel machines.

    Posted on:12-26 View:34
  • 6 Easy Ways to Add Analog Vibe to Your Digital Recordings

    Regardless of your recording philosophy, no one embraces the sterile sound commonly associated with digital audio. If the coveted analog sound were movie-theater popcorn, then digital audio would be the air-popped stuff — if you want it to be good, then you’re going to ha

    Posted on:12-26 View:33
  • Just Put Your Head in Here

    Headsets for Remote Studios We usually think of headsets with noise-cancelling mics as being just for Sportscasters. Let’s look a little deeper. Broadcast headsets come in several varieties, with more uses than you may have considered. It’s time to think outsi

    Posted on:12-26 View:18
  • The Best USB Mics for Voice-over

    Not long ago, creating a successful career as a voice artist meant spec’ing out a home studio and filling it with several key pieces of costly audio gear, including a mic, preamp, interface, processing, etc. Today, all you really need to get started is a USB microphone an

    Posted on:12-26 View:32
  • Got a Spare?

    Stuff breaks. Your transmitter or on-air console (or anything else) will someday go “poof.” If you have a back-up plan, you can keep going with little disruption. If you have no back-up plan… [dead air] Many high-end transmitters have multiple powe

    Posted on:12-26 View:24
  • RE20 Shock Mount.. From Heil?

    There is an alternative to the 309A shock mount that ElectroVoice offers for the RE20 mic. Why would anyone want an alternative? Many stations now have live webcams in the studio, and the 309A is kinda large. Also, the E-V suspension cords have a habit of breakin

    Posted on:12-26 View:37
  • How to Successfully Onboard New Team Members

    Onboarding new team members is a process, not a one-time event. Whether it’s for the worship team, production team, or really any volunteer team at church, learning how to onboard them well is simply setting them, and your team, up for success. Keep in mind, it’s a great

    Posted on:12-26 View:21
  • 5 Stage Products That Will Improve Your Performance

    Gear is really fun. If you’re like me, you can spend hours perusing the ProGear Directory or browsing the website looking for and dreaming about new gear. Guitars, pedals, keyboards, microphones — I have an endless gear wish list. While a new guitar or keyboard can

    Posted on:12-26 View:23
  • Check One Two ...

    How long has it been since you really considered the function of a microphone processor in the radio station? I didn’t think so. Let’s start from scratch. Why do we need a processor for the mics at all? The rest of the material that you broadcast… music, network pr

    Posted on:12-26 View:25
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