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  • AES News: Electrodyne 2501 and 2511

    Following on the success of the 501 and 511 500-series modules, Electrodyne released the 2501 discrete two-stage rackmount studio preamp and 2511 two-band rackmount inductor EQ at the 2013 AES show. Based on classic 1969/1970 designs, the 2501 was built using original factory en

    Posted on:01-04 View:21
  • AES News: Heritage Audio TT-73 and DTT-73

    New from Heritage Audio at the 2013 AES Convention were the single-channel Tabletop 73 and two-channel Dual Tabletop 73, reformatted versions of the company’s DMA73 in “desktop” format, designed for portable, stage, and location work. In addition to Heritage Audio’s revered 1073

    Posted on:01-04 View:11
  • AES News: Lindell 510 500-series Chassis and Power Supply

    Lindell Audio introduced a new 500-series chassis and power supply, the 510. The 510 is a rackmountable 10-slot chassis, with gold-plated XLR inputs and outputs, 500mA of power per slot, a built in no-noise universal power supply (90-250V), overload protection, short circuit pro

    Posted on:01-04 View:19
  • AES News: RND Shelford Series

    At the 2013 AES Conference in New York, Rupert Neve returned to his roots, with his company Rupert Neve Designs announcing the Shelford Series. The Shelford series consists of the 5051 Inductor EQ/Compressor and the 5052 mic pre/inductor EQ. Both harken back to Rupert’s designs

    Posted on:01-04 View:15
  • AES News: Slate Digital Virtual Mix Rack

    The Virtual Mix Rack from Slate Digital a modular plug-in that emulates a hardware 500-series rack. Four modules are included: two classic equalizers and two mix compressors, which recreate the circuit paths, essential harmonics, saturation, phase, and interactivity of vintage ha

    Posted on:01-04 View:15
  • AES News: Sony PCM-D100

    Sony’s PCM-D100 is a high-resolution handheld digital recorder with built-in dual 2-position microphones, 32GB of internal flash memory, and an SD-X card slot. Recording formats include PCM (192, 176.4, 96, 88.2, 48 and 44.1kHz); DSD (2.8224MHz) and MP3 (320 and 128kbps). The PC

    Posted on:01-04 View:11
  • AES News: SSL Matrix 2

    Solid State Logic announced the next-generation Matrix 2 at AES 2013. A streamlined combination of analog summing, outboard mic preamps and processing, analog patching, and advanced DAW control the Matrix 2 builds on the legacy of the original Matrix, with many new features. Amo

    Posted on:01-04 View:17
  • AES News: THE BOX from API

    API kicked off this year’s AES Convention in New York, with new analog console, THE BOX, which is aimed at project and home studio owners who record a few channels at a time but want the warmth and punch that a large-format API console delivers. Sporting the same circuitry and p

    Posted on:01-04 View:32
  • AES News Waves and Abbey Road J37 Tape

    Waves and Abbey Road Studios have collaborated on a new plug-in, the J37 Tape. Designed to perfectly emulate the sound and saturation of recording tape, J37 faithfully recreates the sonic characteristic of the original hardware tape machine along with three vintage formulations

    Posted on:01-04 View:23
  • AES News

    Shure KSM9HS — The KSM9HS handheld vocal condenser microphone is a new version of the KSM9 that features hypercardioid and “subcardioid” polar patterns. Wired and wireless versions will be available. Burl Audio B26 Orca — The B26 Orca is a studio monitor controller featuri

    Posted on:01-04 View:24
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