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  • How to Connect Pedals to Studio Gear

    Q: I want to use my guitar pedals in some of my studio mixdowns, but whenever I connect them to my audio interface I get distorted sounds. What can I do? A: Using guitar pedals for studio applications is a cool way to get new sounds and to get double duty out of your

    Posted on:03-04 View:18
  • iZotope Releases AAX Native Versions of Ozone and Nectar

    iZotope has released version 5.03 of Ozone and 1.13 of Nectar. The new versions include support for the AAX Native format running under Pro Tools 10. Previously, iZotope released AAX-compatible versions of RX 2, Alloy 2, Trash 2, and Insight.

    Posted on:03-04 View:14
  • Sony Discontinues MiniDisc Players

    Sony has announced that they will stop making MiniDisc players next month. The MiniDisc format, launched in 1992 as the intended replacement for cassette tape, has had a surprisingly long run given intense competition from MP3 players such as the Apple iPod. Portable MiniD

    Posted on:03-04 View:20
  • How can I Run an ADAT Optical Cable Long Distances?

    Q: I need to run an ADAT optical cable for a long distance. My understanding is that there is a limit to how far you can go with one? Is there another solution? A: The ADAT spec puts the limit on optical cable length at five meters (around 16 feet). However, the leng

    Posted on:03-04 View:16
  • What is the Difference Between Cat 5, Cat 5e, and Cat 6?

    Q: What is the Difference Between Cat 5, Cat 5e, and Cat 6 ethernet cables? A: All three cable types are similar in design (four twisted pairs of wires inside a single casing) and function. The primary difference is the data transfer rate supported by e

    Posted on:03-04 View:22
  • What is Maximum Ethernet Cable Length?

    Q: How far can I run an ethernet cable? A: The recommended maximum length for a cat 5 ethernet cable is 100 meters (328 feet).

    Posted on:03-04 View:21
  • Learn Those Frequency Ranges!

    One of the most common tips given by mix engineers is to highpass filter tracks to remove unwanted low-frequency noise, to regain lost headroom, and to improve clarity. However, the key to effectively being able to use highpass filtering when mixing is

    Posted on:03-04 View:20
  • NAMM News: PreSonus Sceptre

    The PreSonus Sceptre family of studio monitors combine cutting-edge speaker design with coaxial alignment of the drivers and powerful 32-bit/96kHz dual-core DSP processing and advanced Temporal Equalization technology for fine tuning response. Models featuring an 8-inch wo

    Posted on:03-04 View:16
  • NAMM News: Blue Microphones Nessie

    The latest from Blue Microphones is Nessie, a USB condenser mic that looks as cool as it sounds. Nessie has a built-in pop filter, an internal shockmount, built-in headphone output with zero-latency monitoring, and built-in “adaptive processing,” including EQ, de-essing, a

    Posted on:03-04 View:18
  • NAMM News: Aphex Project Channel

    Combining a Class A mic preamp, an optical compressor, and the classic Aphex Exciter and Big Bottom into a single-rackspace, the Aphex Project Channel is a one-stop solution for recording and live sound. It features XLR and 1/4-inch inputs, a S/PDF digital out, front-panel

    Posted on:03-04 View:15
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