GatesAir IX-IPL-100-PKG

2 - Intraplex IPL100 audio codecs with FREE Tascam DR-40X Handheld Digital RecorderBSW PART: IX-IPL-100-PKG

GatesAir IX-IPL-100-PKG Includes:

* 2 - GatesAir IX-IPL-100 Codecs

* 1 - Tascam DR-40X Digital Handheld Recorder

Offering an array of audio coding options, the IP Link codecs are suitable for use in Studio to Transmitter Links (STLs) as well as audio contribution and distribution networks. Support for IP multicast and multiple unicast streams enables one encoder to feed multiple decoders. By incorporating three IP Interfaces that can be used for streaming and management, the IP Link systems can provide a level of reliability not seen in comparably-priced codecs. As the latest addition to the Intraplex family of audio transport products, the IP Link audio codecs bring legendary Intraplex reliability to the IP codec market.

Main Features:

* IP Link 100: Single bidirectional stereo audio channels

* Standard: Linear, AAC-LC, Opus and G.722 audio coding

* Optional: AAC-HE, AAC-HEv2, AAC-ELD, MPEG2, MPEG3 and Enhanced aptX audio coding

* Other transport modes: Transparent AES up to 192 kS/s to support composite FM multiplex signal over AES

* Protocol Encapsulation: RTP, SHOUTcast/ICEcast, MPEG-TS

* Three independent IP interfaces for redundant network operation

* Optional redundant power supply

* Built-in silence sensor with optional stream switch over

* Automatic backup to audio playout from USB drive or external audio source

* Multicoding – can encode the same audio source in multiple formats for STL, backup, and Web streaming

* Optional Dynamic Stream Splicing providing “hitless” operation and T1/ E1 circuit like performance on less predictable IP networks

* Prioritized stream sources at the output with automatic switch over and switch back between primary and secondary streams and backup sources (USB, external audio source)

* Programmable RTP level Forward Error Correction(FEC) scheme

* Programmable Time Diversity and Interleaving of streams to combat burst packet losses

* Integrated with Intraplex IP Link Scheduler for automated scheduled program switching

* N+1 redudancy with Integrated control of external switching equipment

* Support for IP multicast and multiunicast

* Web browser user interface and SNMP network management

Four multipurpose contact closure inputs and outputs provide:

* Transport of logic signals with time-alignment to audio

* Stream control

* Alarm notification

Specifications:

* Channels: IP Link 100: 1 stereo (or 2 mono) program channels, encode and decode

Coding Options Standard:

* Linear, AAC-LC, Opus, G.722

* Optional: MPEG2, MPEG3, AAC-HE, AAC-HEv2, AAC-ELD, Enhanced aptX and Transparent AES transport

* Streaming: EBU N/ACIP Tech 3326, SHOUTcast/Icecast, MPEG Transport stream over IP, Transparent AES, SynchroCast

* SynchroCast Delay: Programmable up to 1 second with 1 microsecond accuracy

* Multicoding: Allows the input to be encoded and streamed out using multiple different algorithms simultaneously

Digital/Analog Operation:

* For input, digital/analog autodetection

* For output, digital and analog simultaneous

* Webcasting: Can provide a TCP stream to a SHOUTcast or other Webcasting server

* Backup: Configurable for automatic backup to secondary incoming audio stream, playout of audio from USB drive, or playout of audio from a local device connected to the rear panel inputs

* Aux Data Channel: RS-232, in- or out-of-band data transport programmable between: 2400, 4800 and 9600 bp/s

Contact Closures:

* 8 opto-isolated contact closures in each direction, with time-alignment to audio Inputs can transport state to peer or put a stream in or out of service

* Outputs can receive state from peer or be tied to system alarms

* Hardware Redundancy: N+1 with integrated support of external switching equipment

Connectors:

* IP Link 100: XLR for analog L&R and digital AES/EBU inputs and outputs

* RS-232 data: DB-9

* Contact Closures: HD-26

* USB

* Audio headphone jack

* Accepted Audio Sampling Rates: Accepts any AES/EBU sample rate between 32 and 48 kS/s

* Audio Sample Resolution: Selectable 16 or 24 bit

* Sample Rate Conversion: Automatic rate conversion at input to any other AES/EBU sample rate between 16 and 48 kS/s

* Input/Output Impedance: Balanced, 110 ohms ±20%

AES Transparent Transport:

* Sample Rate 32, 44.1, 48, and 192 kS/s

Analog Audio:

* Input Impedance: Balanced, greater than 10 k ohms

* Output Impedance: Balanced, less than 52 ohms

Ethernet:

* Ethernet Data Rate: 10/100Base-T (10 or 100 Mb/s) Full duplex Auto-negotiation with network

* Network Connections: 2 WAN ports plus separate management Per port 802.1 pq configuration

* Network Protocols: IPV4, TCP, UDP, RTP, RTCP, SIP, HTTP, FTP Telnet, NTP, SNMPv2C, ARP, ICMP, Ultravox (v1, v2)

Remote Management:

* Web browser interface

* SNMP

RTP Streams:

* Total of 12 streams

* Setup: Static or SIP

* Unicast, multiunicast, multicast

* Standard RFC payload formats Auto configuration

* Source IP address and UDP port verification at the receiver for security

* TCP Streams: Total 12 HTTP streams to feed SHOUTcast or Icecast servers with selectable codec and coding rate for each stream

SIP:

* Compliant with EBU N/ACIP Tech 3326

* Works in peer to peer and proxy mode

* NAT Traversal support

* Redundancy: Automatic failover mode for primary and secondary incoming streams

* Dynamic Stream Splicing: Optional: Enables redundant streams to be received across one or more networks

* Jitter Buffer: Programmable jitter buffer depth to 1024 packets (provides up to several seconds of network jitter compensation)

* Forward Error Correction: Multiple levels of 1 and 2 dimensional FEC schemes Configured per stream from 25%, 50%, 66% and 100% overhead

* Time Diversity: Time delay configured on per stream basis, used with redundant streams for burst packet loss protection

* Interleaving: Matrix configured per stream used to prevent consecutive packet losses

* Packet Loss Concealment: Automatically performed by the system

* Test Tone Generator: 1004 Hz test tone at -12 dBFS Equivalent to +8 dBm input

* Loopbacks: Received stream loopback equipment loopback

Network Performance Statistics Tracked:

* Burst packet loss statistics based on RFC 3611

* Per stream and group statistics for packets received, packet lost, packets recovered by FEC and packets sent

* Sent and received total stream bandwidth

* LED Indicators

* Link activity, link status

* IP Link 100: Multi-color LED indicators for L&R audio input and output

Alarm Reporting:

* Major/minor alarms, normally open relay contacts, SNMP traps

* Maintains internal and sysLog messages alarm

* log Log files can be sent off to off-site server for storage

* User configurable per-stream packet loss threshold

* Loss-of-AudioAlarm: Built-in silence detection with ability to provide alarm and perform switch over of stream on loss of audio

* Dimensions (H X W X D): 1RU: 1.75 x 19 x 14.25 in. (4.45 x 48.3 x 36.2 cm)

* EIA rack mountable Weight: 5 lbs (2.27 kg) typical

Power Supply Main:

* Universal AC, 50/60 Hz

* Backup: Optional external module, universal AC to 12 VDC converter

* Power Consumption: 20 watts or less

* Fuse Protection: 2A AC input fuse

* Cooling: Convection cooled

* Humidity: To 95% non-condensing

* Operating Temperature: 32o to 122o F (0o to 50o C) Compliance Regulatory Compliance CE, FCC Part 15 Class A, UL 60950, RoHS

TASCAM set the standard for handheld recording. Ever since then, we’ve been raising the standard. Introducing TASCAM’s new DR-40X — the next generation of a TASCAM handheld digital recorder. The DR-40X integrates a versatile four-track audio recorder for cinema, music, podcasting and any other application. The easy-to-use compact design integrates a high-performance feature set and versatile audio I/O, allowing you to produce professional content.

Professional I/O for live capture or line level input

Dual Neutrik* XLR/TRS combo jacks support both mic-level and +4dBu line-level. The DR-40X inputs can accept balanced microphone or line level from mixers or the FOH console. The microphone preamp includes +48V phantom power and plenty of gain for detailed recordings using condenser microphones, as well as electret type microphones. Using the stereo built-in microphones, you can capture ambient sound of the surroundings while recording direct from an external console, which is ideal for capturing live performances.

Record Clean and Clear Audio — Anywhere

DR-40X allows high-quality recording with its stereo built-in condenser microphones. Every detail is captured from small whispers to loud sounds up to 125dB SPL. The built-in microphones are adjustable unidirectional microphones for recording in an X/Y pattern for tight stereo imaging, or in an A/B pattern for a more ambient recording.

Easy to Operate

TASCAM created a totally revamped user interface, making it easy to access recording, adjusting levels, deleting takes, adding markers, and other common functions with just the click of a thumb. And DR-40X now includes a new powerful bright white backlit display that’s easy to see even in the brightest sunlight.

Turn Your Room Into a Studio – In a Minute

The DR-40X taps into TASCAM’s decades of innovation in computer-based recording, incorporating a studio-quality 2 in/2 out USB audio interface making the DR-40X a perfect fit for live streaming, podcasting, and digital audio workstations. Built-in microphones operate as USB microphones without complicated settings.

Multi-language interface inside

Multi-language menus in English/ Spanish/ French/ Italian/ German/ Russian/Chinese/ Korean/ Japanese/ Portuguese are included.

Dictation Mode For Easy Voice Recording and Transcription Playback

Writing down what you hear is easier said than done, but it is actually easy with DR-40X. In addition to its capability to capture crisp voice recording, DR-40X can help you with its instant Jump back function, variable Speed function and equalizer preset for human voice.

Safety Track for Unpredictable Situations

Film-makers and videographers often experience sudden audio volume spikes during filming. An actor could suddenly scream, or a documentary subject could do almost anything. DR-40X has a Dual Recording mode that captures a copy of your take but at a lower level, as a safety track in case of sudden distortion.

Four-Track Recording Mode Gives You Several Record Options

In addition to normal stereo channel recording and Dual Recording mode, DR-40X has “4CH Mode” that can record two different stereo feeds simultaneously. The combination of the sources are flexible; recording the built-in microphones along with a pair of external Mics such as close-up and ambient microphones, or recording the built-in Mics along with a balanced line input such as the feed from a mixer along with the sound in the environment.

Never Miss a Take

DR-40X is equipped with Auto Recording functionality to automatically start recording when an input signal is detected, and Peak Reduction technology to guard against sudden spikes in loudness. Recording modes include Overwrite Mode, which allows users to select a precise Record drop-in time for replacement recording with one level of undo, and Nondestructive Overdubbing allows you to record new sounds onto an existing recording while leaving the original file unaffected.

Record Higher Quality for Longer

The DR-40X allows studio-quality linear PCM recordings up to 96kHz/24-bit WAV/BWF format, as well as memory-friendly MP3 format. With extended battery life and increased capacity for microSDXC cards up to 128GB, the DR-40X can literally record for days on end.

Main Features:

* The ideal choice for DSLR filmmakers, musicians, sound designers, podcasters, and more

* Dual unidirectional stereo condenser mics scalable for A/B or X/Y recording

* XLR/TRS combo inputs compatible with +4dBu line level/+48V

* Built-in +48V phantom power

* 4-channel recording mode for nondestructive overdubbing or multi-track recording

* Integrated 2-In/2-Out USB audio interface for PC or Mac recording, podcasting

* Multi-language menus in English/ Spanish/ French/ Italian/ German/ Russian/Chinese/ Korean/ Japanese/ Portuguese are included

* MS Decoding functionality for Mid-Side microphones

* Optional RC-3F foot switch and RC-10 wired remote control

* Overwrite function for punch-in replace recording, with one level of Undo

* Dictation mode to instantly incrementally jump back playback including speed control and a special dictation EQ

* Auto Recording function starts recording when sound level is detected

* Simple one-touch user interface with QUICK menu button for all common functions

* Extended battery life up to 17.5 hours with standard AA alkaline batteries

* High capacity microSDXC card capacity for hundreds of hours of recording time

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